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WILLIAM SHAKESPEARE: THE MERRY WIVES OF WINDSOR. (13._shakespeare-mwow[1].doc)

WILLIAM SHAKESPEARE: THE MERRY WIVES OF WINDSOR

- a comedy by W. Shakespeare in 5 acts; it is Shakespeare’s only comedy that deals exclusively with contemporary English life i.e it gives an impression of life in an English provincial town as it was lived at the time of the play's first performance.

- his most middle-class play. Although the play contains characters both above and below the middle class, as well as culturally stereotyped foreigners, ultimately everything functions to demonstrate the growing power of the middle class.

- probably written in 1597-8.

- Comic tone of the play is based heavily on physical gags and linguistic jokes.

- it refers to other, older plays; the main plot closely resembles Il Pecorone, a 16th century Italian play by Ser Giovanni Fiorentino. The plot and the primary subplot also takes inspiration from ancient Roman comedy and medieval plays.

- The first performance of this play was said to have occurred in London in1597, at a feast attended by Queen Elizabeth. According to theatrical legend, Elizabeth saw Henry IV, Part I and so liked the character of Falstaff that she asked Shakespeare to write a comedy about him, allegedly giving him only 14 days. Shakespeare may have put aside Henry IV, Part 2 to complete Merry Wives, and he included several characters who reappear in both plays, including Pistol, Nim, Bardolph, Mistress Quickly, and Shallow.

- The text survives in two different versions, one in the First Quarto (1602) and another in the First Folio (1623). The Folio is printed from a manuscript (original copy) that was based on either a playhouse promptbook or an authorial manuscript, and has a close connection with the first performance of the play. The Quarto is half the length of the Folio version. It is most likely a reconstruction from memory by actors who performed parts in the first performances. Modern editions are based on the Folio edition, though the Quarto's stage directions and certain passages have been integrated into modern editions.

An analysis of the play:

- The main plot surround the playful but virtuous behavior of the title characters, Mistress Page and Mistress Ford, who are married to two prosperous men of Windsor. Their main point is that wives can be merry and faithful at the same time, which Mr. Page understands but Mr. Ford doubts. They make fool of the sexually predatory Falstaff, curing Ford of his jealousy.

- full of action, emelents of folk beliefs and tradition (elves, a magic forest, a legend)

Themes in Merry Wives of Windsor:

- theme of a social class:
decilne of aristocracy – refusal of Fenton’s proposal to Anne Page by her parents
                                    - mocking of the knight Falstaff who is a member of  

                                       aristocracy growing power of middle class represented by

                            the Fords and the Pages

- theme of women:
The title of the play declares the primacy of the women's roles: the play is literally the story of the two merry wives. The conflicts in which Mistress Ford and Mistress Page are involved are, to an extent, related to gender--but what do they accomplish? Is their triumph over Falstaff's seduction attempts and Ford's jealousy a victory for them as women, or as members of the middle class, or both?

- theme of cross-dressing:
(Falstaff dressed as an old lady escapes from Mrs Ford’s house and away from the shame of being discovered by Mr Ford; in the end of the play Caius and Slender elope with boys instead of Anne)

It gives Shakespeare a chance to poke fun at the theatrical conventions of his day. In Elizabethan times, young boys played the roles of women on-stage. So in fact Fenton, though he is leaving with the real Anne, goes off at the end with a boy who is dressed as a girl, because the actor who played Anne would have been a boy; Fenton is, in the eyes of the audience, in exactly the same position as Slender and Caius. The boy gets the girl in an audience-pleasing fashion, yet at that same moment Shakespeare reminds the audience that they have willfully believed the same falsehood accepted by some of the play's most foolish characters.

- theme of languageA lot of comic situations and dialogues are based on the language of two foreigners in the play - Sir Hugh Evans, the Welsh clergyman and  Caius, the French doctor.

List of characters, scheme of the plot:

      Trying to seduce the women

Main plot: Falstaff        Mrs Ford + Mr Frank Ford (in disguise as Mr Brooke)

                                      Mrs Page + Mr George Page (daughter Anne Page)

                 Falstaff’s band – Bardolph, Nim, Pistol

                 Falstaff stays at Garter Inn run by the Host

  Challenge for a fight

Subplot:    Anne Page + Slender   – (nephew of judge Shallow)

                                                    - supported by Sir Hugh Evans, Welsh clergyman –                  his English is heavily influenced by Welsh language                                                        

      Quickly
      serves as a messenger for the women

                                                    - (servant Simply)

                                        - a favorite candidate of Anne’s father Mr Page for Anne

    + Dr. Caius – a favourite candidate of Anne’s mother Mrs Page

                       - his English is strongly influenced by French

                       - (servant Rugby, servant mistress Quickly)

                                    +  Fenton – the one whom Anne prefers to the other two

The main plot and the subplot develop relatively separately, though certain characters and scenes overlap. In the end of the play the main plot and the subplot are brought together.

Summary of the plot according to classical phases of a dramatical play which are:         

        1. exposition –introduction of setting, time, characters

        2. collision – the conflict is indicated

        3. crisis – the conflict is growing, intensifying

        4. peripethy – the conflict culminates, reversal in the play

        5. catastrophe – resolution.

(especially for those who did not read the play)

(Introduction): Justice Shallow, Master Slender, and the clergyman Sir Hugh Evans enter, discussing Shallow's anger at Sir John Falstaff. Evans changes the topic to the young Anne Page, whom he would like to see Slender marry. They arrive at Master Page's door, where Shallow confronts Falstaff and his band. The men enter to dine, but Slender drifts around outside, trying unsuccessfully to converse with Anne Page until he goes inside.

Falstaff and his band settle  in at the Garter Inn, where Falstaff reveals his plan to seduce Mistress Page and Mistress Ford, both of whom have control over their husband's money, which he desires. He sends Pistol and Nim to deliver letters to the women, but they refuse. Instead they plot to ruin Falstaff's plans by telling Page and Ford of his intentions.

Mistress Quickly talks to Slender's servant, sent by Evans, and agrees to speak positively of Slender to Anne Page. Her master, Doctor Caius, enters and learns about the errand of the servant. He becomes angry and drafts a letter to Evans. Caius too is in love with Anne Page and blames Evans for encouraging Slender;  he challenges him to a duel. He threatens Quickly, who had promised him she would encourage Anne to look favorably on him. Later Fenton enters; he's also in love with Anne and wants to know if Quickly has related his affections to her.

(Collision, conflict indicated): Mistress Page enters with a letter from Falstaff. She's astonished that he is so rude to try to seduce her and wonders how she will seek revenge. Mistress Ford appears with her own letter, which they discover is exactly the same. They decide to pretend affections for Falstaff until he is ruined and humiliated. Mistress Ford agrees to anything that won't harm her honour.

Meanwhile, Pistol and Nim enter, they reveal Falstaff's plans to Ford and Page. Page doesn't think his wife will fall for Falstaff, but Ford is horribly jealous and convinced his wife will dishonour him. (collision, conflict indicated)

At the Garter Inn, Quickly enters with a message from Mistresses Ford and Page for Falstaff. She reports that Mistress Ford will be expecting a visit from him the next morning when Ford will be out. Then Ford enters in disguise, announced under the name Brooke. He wants to learn how far has Falstaff got in his plan. He tells Falstaff that he's in love with Mistress Ford, but that she has always refused him, claiming that she's too honourable to cheat on her husband. He asks Falstaff to seduce Mistress Ford, thus destroying her honour, so she won't be able to turn him down in the future. Falstaff reveals his date the next morning with Mistress Ford. Alone, Ford curses his wife for preparing to cheat on him and thinks Page is foolish to trust his wife.

Caius awaits Evans for their duel, but Evans is not there. Meanwhile, Evans waits for Caius at a different place. Eventually they meet and prepare to fight. The other men take their swords away. Caius and Evans  agree to work together to get revenge against the Host, who they believe prevented them from fighting and makes fun of their foreign accents.

On the way back from the fight, the men discuss Anne's marriage options. Page says he favors Slender, but his wife prefers Caius. What about Fenton?, asks one, but Page dismisses him entirely thinking Fenton wants Anne’s money only. Ford invites the men back to his house to catch Falstaff.

(Crisis, conflict intensifies) Falstaff has arrived at Mistress Ford's house; he hides when Mistress Page is announced. She comes in and speaks loudly of the immediate arrival of Ford, who angrily suspects his wife of cheating. Falstaff comes out and asks them to help him flee. They hide him in a laundry basket. Ford and other men enter as Mistress Ford's servants carry the laundry basket out. Ford is unable to find Falstaff, and the Mistresses are doubly delighted to have fooled both Falstaff and Ford. They decide to humiliate Falstaff further.

Falstaff arrives at the Garter Inn, soaked after having been thrown in the river with the laundry. Quickly enters with a second invitation from Mistress Ford. Ford enters in disguise as Brooke and asks how Falstaff's date with Mistress Ford went. He reveals how he was carried out in the laundry basket, but says he is visiting again that night! Ford is furious at being fooled and is determined to catch his wife this time.

Falstaff comes to Mistress Ford's house, and again Mistress Page enters soon after. Falstaff hides, and Mistress Page warns Mistress Ford of her husband's approach. Falstaff emerges but refuses to go in the laundry again. They decide to dress him as a woman, in Mrs Ford’s servant fat aunt’s clothes. When Ford arrives, he beats Falstaff and chases him away because he hates that fat aunt. Again Ford cannot find the Falstaff in the house. Mistress Ford and Mistress Page are pleased; they think they have proven their point, and so they decide to tell their husbands of their schemes.

(Peripethy, conflict culminates): Ford apologizes to his wife for his jealousy, and he promises never to suspect her again. They decide that it would be fun to work together to humiliate Falstaff publicly. They plan to have Mistress Ford invite Falstaff to meet her in an allegedly haunted wood at night, and they'll dress their children up as ghosts and fairies to terrify and embarrass Falstaff.

Fenton asks the Host to help him find a vicar who will marry him and Anne that night. In fact Anne’s father plans to marry her with Slender in commotion.Anne’s mother plans the same for dr. Caius. Anne's father has told Slender that Anne will be the only person in white that night; her mother has told Caius she'll be wearing green; in fact, she'll be wearing neither and will flee away with Fenton.

At the same time Host learns that three horses he rented to German lords have been stolen. Evans and Caius separately warn the Host not to rent any horses to thieves posing as German Dukes. Evans and Caius pretend to not know they have already been "stolen".

Falstaff arrives in the haunted woods. Mistress Ford and Mistress Page approach him. He's delighted to see they have both come to meet him. Then they hear a noise and the women run away. Falstaff is surrounded by disguised elves and ghosts and is terrified. Mistress Quickly, playing the fairy queen, says they should try to burn the human they have encountered, and if he doesn't burn then he is pure. They burn Falstaff with candles and pinch him.

(Conclusion): Finally, Page and Ford enter. Falstaff sees that he has been fooled and humiliated. Slender arrives upset; in the confusion, he eloped with a young boy in Anne's outfit. Then Caius enters, in a rage that he has married a boy wearing green outfit. Then Anne herself enters with Fenton. Fenton scolds the Pages for planning to send Anne into a marriage without love. Thay realize their mistake. Falstaff is pleased that their plan to humiliate him backfired partially in the marriage of Anne and Fenton. They leave to celebrate the marriage and invite Falstaff to join them.